Dr. Alex Ross: Let a Hollywood Studio trained story analyst, producer, former agent, member of the British Film Academy (BAFTA) and Oxford academic, who just completed five years of doctoral research on what makes scripts succeed at the box office and who is working with some of the top writers and producers in Hollywood, help you get that script, novel, play, short story or article turned into a successful film.
There are a thousand people out there who will take your money to sell you their opinions, most of them are more likely to do you harm than good, because they have little valid industry experience. Just because you have covered a thousand screenplays does not mean you know how to get a script into bidding-war shape. Unless you have actively participated in production meetings, worked with writers on numerous pre-production re-writes integrating director and actor input, dealt with casting, editing etc. you have no concrete idea of what works on the screen or not. I have done all of these things.
I am the only one to:
1) Have been trained in the story department of a a major Hollywood studio. I covered over 800 scripts and novels for highly demanding executives and producers before I became a...
2) Literary agent in Beverly Hills and amongst others represented Quentin Tarantino, Christopher De Vore (Elephant Man) & Mardik Martin (Raging Bull).
3) I then went on to start off a literary management company and discovered a number of writers such as Andrew Niccol (The Truman Show, Dir. Peter Weir) and Iris Yamashita (Letters from Iwo Jima, Dir. Clint Eastwood). Both Academy nominated. I also worked with a number of other writers to whom I provided script feedback, such as Pat Duncan (Mr. Holland's Opus) and am presently working on a script for twice Academy nominated director Habib Zargarpour.
4) I produced a film, The List, which I sold to Warner Bros.
5) I am an expert consultant to the Europen Union's EACEA program and advise their film finance arm on which of thousands of scripts to finance.
6) My career has been validated by my election to the British Film Academy in 2004.
7) I organized and attended over 7000 pitch meetings in Los Angeles, mainly with the heads of production of the studios.
8) I just completed 4 years of detailed research for my PhD into thousands of films to identify key factors that determine their success or failure. For this, I worked with not only leading Hollywood players, but business school based reseachers globally. This has given me a unique insight into the replicable keys of success, which I will factor into the feedback I provide you.
9) If your script merits it, I will be glad to submit it to relevant, high ranking contacts at no cost to you.
1) Studio Coverage: This is the same feedback a studio analyst will provide the executives or agents will receive, when you submit for consideration. You need to know what they say about your script before you actually submit it, as once they have turned you down they are extremely unlikely to reconsider. CLICK for sample. Presently available at a significant discount of $99 (without synopsis). These usually cost $179. Am only taking on a few more till my schedule fills up and then we are back to the usual price.
2) Development Notes: These are the same notes that writers who have been optioned will receive from the studios and production companies. They are much more detailed and address every issue that needs fixing. Whereas Studio Coverage is about telling the executive why to acquire a project, or mainly not, as the case may be, Development Notes are purely geared towards helping you fix all issues. I also provide detailed margin notes for the entire script. CLICK for sample.
Presently available for $299. Usually they cost $379. Discount only available for a few days till the slots are filled up.
3) If you have a novel, play, short story or article that you think could make a great film please contact me. I would be happy to discuss the project and provide you with a detailed report on how to proceed, to include advice on how to get the script written or access to screenwriters. On a merit basis, I would also be happy to make introductions to agents and producers.
4) For producers I am able to provide detailed insight into the revenue potential of a film project. Please email me.
4) One hour meeting at BAFTA in London to discuss your project and career, per appointment.
There are four things you need to succeed as a screenwriter. Mentoring is one.
Here's the other three.
Script Consultant, sell your script, Hollywood Studios, Warner Bros. Fast & Furious, visit Harry Potter, Disney Studios upcoming films, apply for Nicholl Fellowship, screenplays, film school, apply to UCLA film school, apply to USC cinema, script sales, find literary agents, ICM screenwriter, William Morris agency representation, Endeavor agent, UTA screenwriting agent, CAA screenwriting agents, join WGA, script option, script sale, find an agent, writemovies.com, author script consultant, watch Star Wars, imdb, BAFTA nomination, Paramount studios movies, Tom Cruise, Sony Studios releases, screenwriter Stephen McFeely, agent for Christopher Markus, Andrew Stanton earnings, Steve Kloves films, David Koepp screenwriter, James Cameron scripts, Steven Spielberg new film, George Lucas scripts, watch the academy awards.
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